Suhani Parekh’s sculpted trinket is ideally geometric

Suhani Parekh, whose trinket line has been flaunted by Kim Kardashian and Deepika Padukone, on because everybody loves a geometry of her designs

Deepika Padukone
Deepika Padukone

We were initial introduced to Suhani Parekh of Misho Designs final year, when we did a underline on a “cool gangs” that knew a best of where to eat, splash and soak in art, around a city. When we hung out with Parekh and her friends – curator Arshiya Lokhandwala and artistes Justin Ponmany and Prajakta Potnis – she seemed like someone to watch out for. One year later, we can’t help, though be in astonishment of her solid rise.

Suhani Parekh flash one of her designs
Suhani Parekh flash one of her designs

If we are a amicable media buff, there is no approach we have missed Misho Designs and all a people wearing it. Rihanna has ragged it and so has Kim Kardashian. Back home, it’s Deepika Padukone, Masaba Gupta and Aishwarya Rai. “I was a sculptor, so we hadn’t ever suspicion of jewellery. we used to pattern some pieces for myself and then, as people saw me wearing them, they said, can we make us a pair. It’s afterwards that we only motionless to lay down and make more,” says Parekh, who complicated to be a sculptor during Goldsmiths University in London.

Misho

It was winning a conform repository endowment for being a immature engineer of note that put Parekh resolutely in a spotlight. “I consider each immature engineer needs a height that helps them put themselves out there. It was a branch indicate for me,” a Shivaji Park proprietor tells us.

Misho’s aesthetic, that Parekh has described as “wearable sculpture”, is characterised by architectural forms and stylish geometric shapes. She is desirous by Bauhaus beliefs and Japanese minimalism, and names Misho after an ancient Japanese Bonsai technique, that means a routine by that a seed turns into a Bonsai tree.

Parekh insists that being consistent, and staying loyal to one’s pattern denunciation has helped her brand. “I consider we have to recognize where there is a opening in a market. We have poetic normal jewellery, though how does one buy irritable pieces. we consider Misho filled that void. And so, when we sent out a trinket for conform shoots or to a celebrity, who was on a graduation spree, they got chosen, and we am beholden for that.”

It is by amicable media network, Instagram, that Parekh unequivocally connects with her audience. The designer, who has around 16k followers, says that it’s about constantly innovating. “You can’t keep doing a same thing, we need to keep pulling a envelope,” she says. She also shares an critical discernment about a site. “Instagram likes people not products. There is a wily change between a two. So, what we during Misho do is, that we don’t torpedo people with a same kind of posts. We post around 3 to 4 times a week, and keep blending it up. We are unprotected to so many opposite kinds of images, and over-posting is a no-no.” But, a many critical doctrine Parekh says is also about joining and interacting with a audience. “I speak to people all a time, and respond to a comments. It’s a best approach to strech out directly.”

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