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Jazz meets Baroque during this low-pitched seminar in Lower Parel
- Updated: April 21, 2017
Members of a Symphony Orchestra of India during a rehearsal
Jazz and Baroque song have been admired, though in conflicting periods. They had a satisfactory bit of supernatural similarities in terms of a art and a analogous sound. After roughly 100 years given Jazz’s inception, Western Classical song and artistic sounds from a Baroque date will be discussed during a workshop, conducted by a Symphony Orchestra of India (SOI), after this week.
Jazz, that originated in 1917 from ragtime and variants of Blues, gradually gained recognition and found a participation in clubs. Baroque’s characteristics — filled with drama, tragedy and loftiness — seeped in around a late 1920s. Louis Armstrong, also famous as Satch, is a sound of that epoch. Baroque depended heavily on strings while Jazz blended improved with coronet and instruments like a saxophone and a clarinet. Since Baroque orchestras overshadowed Jazz bands in size, a eminence became all a some-more palpable.
“It is an sell programme between SOI and True School of Music (TSM). It is a knowledge-sharing concept,” pronounced a TSM spokesperson. Members of SOI will run by a abbreviation of a repertoire, combined by a connection (Baroque and Jazz) while examining a together traditions between a eras.
ON: Apr 20, 7.30 pm
AT: True School of Music, 107, Sun Mill Compound, conflicting Hanuman Temple, Lower Parel.
CALL: 66243200
Artiste Speak
.jpg "Sanjay Divecha")
Sanjay Divecha
Sanjay Divecha, Jazz artiste ‘When we are personification during such a concert, a song is already arranged. The band musicians would be reading what is created on a piece while a Jazz musicians, detached from reading a notes, would also improvise. Improvisation is a outrageous aspect of Jazz. The common thread between a dual are Western harmonies, it comes from a exemplary composers of Europe.’